On the subject of St. Louis commutes….
On the subject of St. Louis commutes….
Every time I hear someone (by which I mean politicians) use the phrase “job creator” or “we need to create jobs so people can get back to work”, I want to reach through the media and give them a quick slap to the back of the head. Maybe I’ve been reading too much Seth Godin, or Clay Shirky, or Chris Guillebeau, or Hugh MacLeod, or …., but it seems to me it is this very emphasis on telling people that someone else needs to create a job for them that limits the possibilities.
Luckily, I’m not the only one that thinks that.
On Monday (24 September), the Social Media Club St. Louis (@SMCSTL) hosted a panel of bloggers to discuss, what else, blogging. It has been many years since I first started blogging and the reasons and results of blogging, not to mention the tools, have evolved quite a bit. The panel shared some great insights into what motivates them to blog, and what they get out of blogging. Continue reading
Over the weekend I had the chance – the pleasure – to attend Wordcamp St. Louis 2012. I met some great people, doing incredible things with WordPress, and had a chance to learn and be inspired. Although the whole day was great, three of the talks stand out for me:
Most generally informative: Chris Miller (@iDoNotes) gave us the down and dirty on using WordPress as a podcasting/videocasting platform, blasting us with way more information than I thought could be squeezed into the 45 minute session. No doubt he had to leave some stuff out, but it was a comprehensive intro that put those interested on the right path for learning more. Especially if they remember to visit the resource bundle he put together for us.
Most specifically useful: Joshua Ray (@pdxOllo) and Alex Rodriguez (@arod2634) presented Best Practices and Admin Customization, the latter which has been on my mind of late for a current project. Comprehensive coverage and plenty of code examples (I’ll post the links later, I seem to have misplaced them). Looking forward to digging in.
Most inspirational: Although the WordPress specific parts of Reshma Chamberlin’s (@reshmacc) talk on design were impressive themselves, what impressed – and inspired – me the most was her and her partner’s philosophy of design. And not just design, really, but how to chase your dreams, make a difference, and to do things right. (Sounds so easy, doesn’t it.) Check out the B&C Designers site to see for yourself. (And thanks, Reshma, for the book recommendation: Disciplined Dreaming is next up on my shelf!)
In the conversation around cutting government spending, the education system always seems to get caught in the middle. Especially the teachers. Do they get paid enough? Too much?
To make music these days, musicians need to know just a bit more than how to play their instrument. A guitar player, for example, needs to be able to play the guitar (a given), but also must have an understanding of how the guitar is built, what accessories provide what features, how to mic the amps. Likewise a drummer, bass player, or other band member. Then comes the process of recording music to produce a song and, hopefully, all the work that goes into putting on a live performance. There are a seemingly endless supply of options available to these musicians that must be overwhelming at times.
Kind of like the seemingly endless onslaught of new collaboration tools and ways to communicate with others.
A little over 5 years ago, I wrote the following:
I’ve been messing around with blogs (with varying success) for over 5 years now, have set up and contributed to my fair share of other online sources like wikis and as a commenter to other blogs. But I’ve only recently really understood the value and, yes, appeal of text messaging and the ability to send photos and videos from anywhere on my phone. And, though I’ve recently signed up and started experimenting with Facebook, I’m still not quite sure exactly what to do with it. And don’t get me started with things like Twitter – as much as friends and others praise it, I just don’t get it.
Of course, it has only gotten worse (better?) since then.
I have spent the better part of the past year or so exploring and trying out new tools, seeing where they add value or don’t. I still don’t use Facebook much, but have found my groove with Twitter. I see the value and potential of Google+ but just can’t quite get into it. On the other hand, I have come to love and rely on Jive in our “behind the firewall” social/business network. I’ve signed up for many of the niche services that have come out: I really like Instagram, Untappd is a cool idea, and I don’t get Pinterest (at all). A quick look at the feed selection list for the Lifestream plugin for WordPress gives an idea of what’s out there. I have no idea what most of them are, and this isn’t even all of them! (Lifestream provides a way for you to add “generic” feeds for all those that they’ve missed.)
Speaking of WordPress… Although I haven’t been blogging publicly for a while (16 months or so, yikes!), spending a lot of time writing and making things happen behind the firewall, I have kept up with the evolution of WordPress and the great tools available in the system, not to mention the evolution of its positioning in the market from “just another … blog” to “just another … site”. I’ve read a couple of good WordPress books through my Safari Books Online subscription, and played around a bit under the hood.
And in a couple of weeks I’m attending WordCamp St. Louis 2012 to learn and share even more.
I could say that all this goodness was part of why it has taken me so long to actually get back up and running. (I told @tomcatalini back in April that I was “very close” to a return to blogging, not sure 4 months counts as “very close”.) And though it sounds like an excuse it is, at least partly, true. Part of my absence has been directly related to my trying to figure out what direction I wanted this blog to take, to build on my previous blogs or to try something new. But part has been trying to understand what is possible with regards to how I do it.
A perfect example of this interplay was my discovery of different post formats, along with the Showcase page template in the Twenty Eleven theme, and how I could use it to capture and present both my own extended thoughts on things (an ounce of perception) and a log of my more random thoughts and observations (a pound of obscure).
I don’t need to worry about all those sites and services in the list above that I don’t know about, or know how to use, nor do I need to worry about all the bells and whistles in WordPress. Perhaps they will be of value to me some day, and if so I expect that I will find them if and when I need them. What I care about is what I can do with them.
Like the musicians I mentioned earlier, my purpose is not to “play an instrument” or to set up a bunch of gear. My purpose is to make music, and all this machinery is just a way to do that.
Now, let’s see what kind of music I can make….
If you would like to see a bit of current World Series Champion history, the World Championship Trophy will be on display at the Missouri Historical Society (Missouri History Museum) in Forest Park here in St. Louis beginning this Saturday. Society members will get a chance to see it Saturday morning before it is open to the general public , so now may be a good time to become a member. The 30 pound, sterling silver trophy will be on view in the museum’s MacDermott Grand Hall 7 April – 13 May 2007 (except for 23-25 April, when the trophy will not be on display).
A bit of interesting trivia, thanks to the folks at wikipedia: The trophy, officially called the Commissioner’s Trophy, was first presented in 1967 to the St. Louis Cardinals (!) following their victory over the Boston Red Sox.
Speaking of baseball, yesterday was a beautiful day for it, and a great day for opening day ceremonies for the reigning World Series Champion Cardinals. In addition to the current champions and new additions to Busch stadium to honor them, the festivities included quite a few champions from the Cardinal’s past.
After the Budweiser Clydesdales got the party started, parading around the field, Cardinals radio voice John Rooney and actor Billy Bob Thornton took over as the official emcees of the evening festivities.
Shortly after each member of the team took a trip around the field in a convertible, past Cardinals greats were introduced, commemorating St. Louis’ last two World Series championships, in 1967 and ’82.
Some of the former players on hand were Keith Hernandez, Joaquin Andujar, Bob Forsch and Bruce Sutter from the ’82 championship squad. Representing the ’67 championship team were Tim McCarver, Red Schoendienst, Lou Brock and Bob Gibson, among others.
The pregame festivities continued when Adam Wainwright, Gibson and Sutter threw out the ceremonial first pitches. Those were the three pitchers to record the final out for the Cardinals’ last three World Series titles. The three hurlers threw to the managers that led them to the World Series: Tony La Russa, Schoendienst and Whitey Herzog.
Sutter joked before the toss that he didn’t know if he could get it to Herzog, and if he did, he didn’t know if Herzog could catch it. Sutter had no problem delivering a strike to his former manager.
All in all, it was quite a day for Cardinals fans, who waited 24 years in between for their World Series titles. Some fans were so eager for the first game that they went to downtown St. Louis several days early.
Pretty much a perfect opening day. Except, of course, that the Cardinals lost to the Mets.
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A month or so ago in a discussion about the value of blogs and wikis as collaboration tools, Dave Snowden stated, “Knowledge discovery is serendipitous, not planned.” Last weekend, I had a ‘no-tech’ version of this experience at Mozingo Music in Ellisville, where I had taken my son to pick up some new sticks and mallets (he is a percussionist).
While Ian was looking through the different options, my eyes were drawn to the shelf of instructional DVDs. One in particular caught my eye, Mike Portnoy‘s Liquid Drum Theater. Though I didn’t buy the DVD, the info on the jacket made me want to learn more about Portnoy’s music with various groups. The group that stuck in my mind was Liquid Tension Experiment (with such a cool name, how could it not).
I’m always on the prowl for good new music, preferably good instrumental rock, and what I found with Liquid Tension Experiment on their two, aptly titled, CDs – Liquid Tension Experiment and Liquid Tension Experiment 2 – didn’t disappoint me. After listening to a couple of 30 second excerpts on the iTunes store, these two albums very quickly made their way into my collection of songs. (I’d have provided links to the albums in the iTunes store, but I’m not sure you can actually do that in a browser.)
To say that these guys are good would be a gross understatement, so I was anxious to see what else they had put out. Turns out that Liquid Tension Experiment was kind of a ‘side-gig’ for Portnoy and others, so they only released the two CDs mentioned above. As an ‘experiment,’ I would say that they definitely succeeded.
If you don’t want to buy both full albums but want to get a good sample of what they’ve got to offer, I’d recommend Paradigm Shift or Freedom of Speech from the first album, and Acid Rain or Biaxident from the second. You’ll be glad you did.
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I’ve been a fan of the Canadian rock trio Rush for many years, since high school, so when my brother called me up a couple of weeks ago and asked if I wanted to go check out a local Rush tribute band I immediately agreed. I’m glad I did.
The band, Thunderhead, played at the House of Rock in South (St. Louis) County on a Friday night (9 Feb). We got there early to make sure we had a place to sit (and set down our beers!), and good thing. As show time approached the place filled up quickly.
Like Rush, Thunderhead is a three-man band: George Whitlow on bass, keyboards, and vocals, Corey Nelson on guitars, and Mike Ramsey on percussion (you can’t simply call it “drums” when you are talking about Rush!). And I have to say, these guys ROCKED. (Well worth the 5 buck cover.)
I wasn’t really sure what to expect from the show, as I had never seen a “tribute band” perform. I had in mind the “cover bands” that travel the club circuit, playing a collection of covers from various bands, genres, etc. The music is usually good, but very rarely do the bands seem to make a whole-hearted effort to re-create the sound of the original. (Not saying that’s bad, I love a good cover band.)
A ‘tribute band,’ on the other hand, has as its goal a faithful reproduction of most, if not all, aspects of a bands music and performance. In that, Thunderhead succeeded.
One of the things that became immediately obvious when they started playing was that this wasn’t just a bunch of guys that got together on the weekends to play some music. I can only imagine how much time they put into 1) learning the music as individuals, 2) learning the songs as a group, 3) staging the performance (lights, sound, etc), and 4) rehearsal of the whole package.
With the exception of some vocal problems George had (a cold exacerbated, no doubt, by the thick smoke in the club), their performance was right on. As much as I’ve always enjoyed Neil Peart’s lyrics, it is Rush’s musicality that I most love. The extended guitar solos in songs, the mandatory (and brilliantly executed) drum solo, and the group jams that are Rush’s instrumentals were great. My personal favorite – the jazzy, funky, and rocking La Villa Strangiato.
If you live in the St. Louis area, keep an eye on their tour page for upcoming dates. If you are a fan of Rush, you owe it to yourself to check these guys out.